Tuesday, February 12, 2013



For Rinsho


             People


People my mountains and streams;
always walking together we wildly play
a lute without strings,
a dewdrop without lightning
or a dream.

Whoever would fret over this outcome? 

Roko
Monday, 11 February 2013
At One Heart
Prospect Hill

Monday, February 11, 2013


“The harmony of this tune requires you to be a connoisseur before you can appreciate it.”

Now it is 2013, not 2011. This could be no other. It could not be written in 2011.

Meeting all of the dead: Living with each other: A ghost of a chance to break free.

Still we lift everyone. Ever reaching, this moment raised stands alone, a collaboration, but really, do I know what you are saying or am I integrating you into my own fabric as in the imagined one, the one who would cut off his arm to meet himself.

Meeting the dead who are everywhere walking, standing, or talking.

Saying goodbye to our own wished for beings that have never materialized – even if we believe and act as though they have.

You are my teacher. Maybe so. Only in the story, the imagined and named.

But the sweater unravels. No knots at either end ~ the yarn not only comes from emptiness it returns to emptiness ~ is emptiness already without making and even as making. It is gone.

The tautology of the attempted explanation of our being here…just keeps spiraling, but this is before the spiral or even the fugue.

I am grateful to Nina Simone… without whom, this particular book of poems would never exist.

I write for people, to people, particular people; generators and recipients of words.

Some vague audience does not exist. That’s not to say people who read these words who are not the generators instigator recipients will not benefit from reading.  It is just to say the benefit is in the acknowledgment of the gift of inspiration and encouragement to come forward.

Without these people, dead and alive and to be, truly far flung; more dead and we hope more to be than are right now. But right now is when this reading takes place.

Not only is it intended to benefit all being but it is the beneficiary of all beings coming forth from this inmost request we all share and express so differently.

One heart blossoms cruel across the dawn of word speaking.

John High introduces us to the land of our making, Dongshan’s territory that can only be covered by each of us – the territory that can only be covered for us by each of us – the territory no one else can cover for us and which we are inspired, encouraged and welcomed to by others – all others – the dead, the alive, the to be.

I am not talking about history. I am talking about each of our lives an inheritance and gift, a direction of gratitude and grace in a land of Love.

Utterance: the shape of the choreography of our movement seeming through space but as space and not in time but as time being; Only Love For The Time Being .

Kotatsu Roko
Monday, 11 February 2013
Prospect Hill

Thursday, November 15, 2012

Longing is Light


Ah!
This very longing,
The light of being, transmitted.
There is nothing else.




John Bailes: Kotatsu Roko
In response to Douglas Penick’s poem
15 November 2012
Prospect Hill, Somerville

Wednesday, November 14, 2012

the scepter that arises from heart which is all good, always.


Tuesday, 13 November 2012


We, The Monmouth Zen Circle, had a great time sitting zazen last Saturday at Blue Moon Yoga in Shrewsbury NJ. Two brothers, twins, Bassem and Sofi joined us in the afternoon just before the dharma talk. Bassem and Sofi are in third grade. They courteously sat through zazen instruction, and then a good ten minutes of zazen. When I asked them if they had any questions, Sofi asked me about right speech. It didn't take long to get from Right Speech to Jedi Knights and the Force and the light and the dark. I showed them the Jedi Scepter Norman Fischer gave to me. We talked about Bodhisattva's, Warriors, the Light, the Good, the Dark and Beyond light and dark and beyond good and bad. We talked about how posture is deeply related to the light and the good. We talked about good posture as the doorway to "All's Good" and the importance of vertical and horizontal and the scepter that arises from heart which is all good, always. Bassem and Sofi understood this directly. They know. We adults know too but somehow what we call life has gotten in the way. That life is really death. It is not even real death. It is more like purgatory or some kind of hell where we are all waiting for something and we are all hiding from something. If it were real death we would be completely alive. The open heart is scepter, a wand, that makes all good. Open heart is beyond life and death.

Friday, October 19, 2012

We all are or have been tortured souls...


We all are or have been “…tortured souls… trying until the very end to express the inexpressible.” Each of us ought to practice complete respect for each human being’s existential dilemma.

I was deeply touched by this anecdote Freeman Dyson tells about Ludwig Wittgenstein from Dyson’s days as an undergraduate at Cambridge University in the UK for two reasons: 1. It brought to mind Norman Fischer’s talk on Tara and women’s place in Zen practice at the recent Everyday Zen sesshin http://www.everydayzen.org/index.php?Itemid=26&task=viewTeaching&sort=title&option=com_teaching&id=1279.) 2. I think most remarkable is Mr. Dyson’s change of view and understanding of Mr. Wittgenstein plight as years passed and even death, the seeming ultimate signpost of the transitory and ephemeral nature of this life, appears to help transform Dyson’s understanding of Wittgenstein’s situation .

“When I arrived at Cambridge University in 1946, Wittgenstein had just returned from his six years of duty (as an orderly) at the hospital. I held him in the highest respect and was delighted to find him in a room above mine on the same staircase. I frequently met him walking up or down the stairs, but I was too shy to start a conversation. Several times I heard him muttering to himself: ‘I get stupider and stupider every day.’

Finally, toward the end of my time at Cambridge, I ventured to speak to him. I told him I had enjoyed reading the Tractatus, and I asked him whether he still held the same views that he had expressed twenty-eight years earlier. He remained silent for a long time and then said, ‘Which newspaper do you represent?’ I told him I was student and not a journalist, but he never answered my question.

Wittgenstein’s response to me was humiliating, and his response to female students who tried to attend his lectures was even worse. If a woman appeared in the audience, he would remain standing silent until she left the room. I decided he was a charlatan using outrageous behavior to attract attention. I hated him for his rudeness. Fifty years later, walking through a churchyard on the outskirts of Cambridge on a sunny morning in winter, I came by chance on his tombstone, a massive block of stone lightly covered with fresh snow. On the stone was written the single word, ‘Wittgenstein.’ To my surprise, I found that the old hatred was gone, replaced by a deeper understanding. He was at peace, and I was at peace too, in white silence. He was no longer a charlatan. He was a tortured soul, the last survivor of a family with a tragic history, living a lonely life among strangers, trying until the end to express the inexpressible.”[1] Freeman Dyson, What Can You really Know? NYRB, 11.08.2012.



[1] Freeman Dyson, ‘What Can You Really Know?’, NYRB, 11.08.2012.

Wednesday, September 12, 2012

On relating with a teacher...difference becomes clear..


From the pine tree
learn of the pine tree,
And from the bamboo
of the bamboo.
                                                  Basho

“The Japanese word for ‘learn’ (narau) carries the sense of ‘taking after’ something, of making an effort to stand essentially in the same mode of being as the thing one wishes to learn about. It is on the field of sunyata that this becomes possible.”

Keiji Nishitani, Religion and Nothingness.

Thursday, September 6, 2012

The silence of speaking and hearing...



This entire mistake once activated is thus come, even looking someplace else, there is no place else. There is only the expression of the deaf-mute and the silence of speaking and hearing. 

 —Kotatsu Roko as quoted by John High in his new and soon to be published book of poetry: you are everything you are not